In addition to its special appearance, an angular and colorful evolution of Artichoke, which was pr

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The impressive Ruinsal Koldinghus until August the setting for a true celebration in front of designer lamps. These include several models that have never before been exhibited. By Stine Daugaard March 31, 2012 at. 14:00
Most people can recognize Poul Henningsen's iconic lamp designs at first glance. His lamps are among the biggest icons in Danish design, and in itself Poul Henningsen was also groundbreaking. Already in the 1920s, when the electrification of Copenhagen had just started, he worked diligently to improve the quality of life in Danish homes and public spaces örsjö belysning through intelligent örsjö belysning lighting.
The tenacious quest to tame the pungent bulb resulted in a wide range of lamps, and 100 of them can be seen in Ruin Hall Koldinghus where they float like bright planets in the 17-meter-high space. The lights comes from Louis Poulsen's reference collection. "At the show we pursue Poul Henningsen's vision to create intelligent lighting, from his breakthrough and the highlight of the 1930s when PH system was an international bestseller, and until today. örsjö belysning We have placed great emphasis on showing variations and types, you would not see, and which shows the huge range of PH lamp system, "says exhibition manager Axel Johnsen. Breakthrough in Paris
The exhibition at Koldinghus Г¶rsjГ¶ belysning shows a great range of PH's famous lamps. Here the 'treslåede' spiralpendel in three metals (brass, copper and aluminum), made in 1964 to FDB's headquarters in Alberton. (Photo: Palle Peter Skov)
The breakthrough örsjö belysning came at the World Exhibition in Paris in 1925, where Poul Henningsen's multi-shade lamp that was designed after careful angular geometric studies and the principle of the hidden light source, received great international acclaim.
The lamp composed of six screens in fine silver, and while designing today will have very few to lift an eyebrow was construction groundbreaking in its day, and so is the beautiful lamp naturally found in the Ruin Hall.
Among the smaller but no less interesting, lamps are a small amber size named PH 1/1 as with a screen diameter of just over 10 cm are among the smallest lamps in the PH range.
"It Г¶rsjГ¶ belysning is the smallest treskærmslampe ever produced, and it is extremely rare. It is such a lamp, which is admittedly unimpressive to look at, but has a great value as a museum Г¶rsjГ¶ belysning piece and collector's item, "explains Axel Johnsen. Among the most sold in the world
The very special three-shade system is the hub of PH's huge success. The first treskærmslampe was produced at a car show in Giant Hall in Copenhagen in 1926 in 120 copies, where it aroused great enthusiasm. Since culminated PH's now legendary three-shade system in 1958 when PH5 was presented at the Museum Г¶rsjГ¶ belysning of Decorative Arts in Copenhagen. A lamp which according to Poul Henningsen itself represented Г¶rsjГ¶ belysning a defeat for the incandescent lamp, whose light had not been significantly improved since the invention, but it should PH5 is about to change. Therefore, the light is made up of screens in red and blue, which should give a color supplement in that part of the spectrum where the eye is less sensitive - and weaken the light in the middle area where the eye is most sensitive: the yellow-green.
This strong örsjö belysning 'management' of light quality was not without consequences, it was hard on the amount of light emitted light. But this defect despite thanks to the lamp timeless design and affordable price then was PH5 one of the best selling lamps in the world. örsjö belysning
Another interesting example of Poul Henningsen's work with color tones and especially his persistent efforts to adjust its lighting concept for modern-day challenges can be seen at the exhibition in the form of the avant-garde lamp 'house of tomorrow' from 1959.
In addition to its special appearance, an angular and colorful evolution of Artichoke, which was presented last year, went light on the struggle against the cold and flickering light that the then new, modern fluorescent delivered. The lamp placed Poul Henningsen all its reservations for fluorescent lamps, and the result örsjö belysning was a new prototype with a visible light source with a color spectrum that was provided by the fluorescent glare from the monitors' colors.
Another exhibition of rarities is Septimalampen from 1927, which, with its beautiful hand-blown glass shades on a flimsy wire skeleton may seem like a completely impossible construction örsjö belysning that is also incredibly beautiful. Fragility meant that it never really worked through, but some 30 years later, Poul Henningsen designed up again when he was asked to design the lighting for the newly opened Langelinje Pavillion in Copenhagen - and